The article discusses Hermann Hesse's novel 'The Steppenwolf', which depicts an intellectual struggling to find his place in a society he cannot relate to, drawing a parallel to the current situation in Guayaquil, Ecuador. The author reflects on the increasing violence and chaos within the city, emphasizing that the residents are caught in a seemingly never-ending war against narcotrafficking, characterized by bombings and destruction as part of their daily reality.

In Guayaquil, the challenges faced by the inhabitants are portrayed as part of a broader existential conflict, reminiscent of the protagonist's struggles in Hesse's work. The author mentions specific violent events that have become a norm, depicting a grim picture of life in the city where understanding and adapting to the rules seems impossible. The chaos is not seen as an anomaly but rather a consistent part of life in contemporary Guayaquil, reflecting a deep-seated issue within society.

Furthermore, the article discusses the complex origins of the narcotrafficking issue, asserting that the current situation results from decades of tolerance towards illicit activities and a culture that has fostered shortcuts and unethical behavior. This background underscores the systemic problems contributing to the violence that grips the city, urging readers to consider the larger implications of such societal attitudes on the struggle against narcotrafficking and the necessity for profound change.