The article recounts a theatrical piece from the late Soviet era in Estonia, specifically 1989, that involved a satirical portrayal of police officers by actors Andrus Vaarik and Rein Oja. This event is significant as it reflects the cultural climate of Estonia during the waning days of Soviet control, showcasing how performance art was used as a vehicle for social commentary. The characters played by Vaarik and Oja were part of a critical narrative that underscored the absurdities of police bureaucracy and the growing discontent among the populace.

Roald Jürlau, a prominent musician and the main composer for the band Friday's Deal, was also pivotal in setting the musical backdrop for this theatrical experience. The band, known for its punk influences, emerged during this period and became a voice for the youth disillusioned with the establishment. The piece they performed, 'Skangpoomijad', is highlighted for its shock elements, dark humor, and theatrical physicality, reflecting the spirit of rebellion that characterized the late 1980s in Estonia.

This retrospective look brings forth the importance of artistic expression during politically sensitive times. By revisiting such performances, the article not only captures the essence of that specific moment in Estonian history but also serves as a reminder of the power of art to challenge and critique societal norms. The blend of humor and satire present in the performances provided a means for the Estonian people to navigate and resist the oppressive atmosphere of the time, ultimately contributing to the larger narrative of Estonia's push for independence and cultural identity.