Mónica Mays, a 34-year-old artist from Madrid, is making waves in the contemporary art scene by transforming discarded street items and objects found in junkyards into immersive universes. Ahead of her participation in prestigious exhibitions like Art Basel and a showcase in New York, Mays is presenting a significant installation at Matadero Madrid, which is both a tribute and a reflection on the venue's complex history. With its origins as a municipal slaughterhouse, Matadero Madrid serves as a poignant backdrop for her exploration of memory and urban identity.

In her upcoming installation, Mays acknowledges the historical weight of Matadero Madrid, which was once a place of animal slaughter and repression, repurposing its legacy into a space for cultural dialogue. Drawing from architectural theories like those of Aldo Rossi, Mays reflects on how cities remember their past through monuments, noting that such memories can be uneasy but essential. This installation not only highlights the transformation of urban spaces but also engages viewers in reconsidering the narratives tied to these locations, encouraging a deeper appreciation of their historical context.

As Mays prepares to present her artwork on international stages, her approach to art that merges history, memory, and the materials of everyday life underscores her unique perspective. By weaving together elements of her personal journey through cities like Paris and Amsterdam, she enriches her artistic narrative and emphasizes the importance of local context in shaping identity. Mays' work is a poignant reminder of the stories embedded in urban landscapes, urging audiences to consider the past while envisioning the future of these spaces.