In the play 'Projeto Wislawa', directed by Cesar Ribeiro, the narrative centers on a character based on the Polish poet Wislawa Szymborska, who is fictionalized into being assassinated while reading. This dramatic turn serves not only as a shocking plot point but as a deeper commentary on the broader theme of persecution against artistic expressions. Though Szymborska, a Nobel Prize winner for literature in 1996, did not face such a fate in real life, her legacy inspires reflection on the precarious nature of artists and their work.

The setting of the play at Teatro Paulo Eiró in São Paulo positions the work within a cultural context that resonates with current global discussions about the freedom of expression. By depicting the violent end of a poet, the production invites the audience to confront the ongoing threats faced by artists who challenge societal norms or political structures through their creative endeavors. The fictional assassination symbolizes the dangers of silencing voices that advocate for beauty and truth in art.

Ultimately, 'Projeto Wislawa' serves as both a tribute to Szymborska's lyrical contributions and a pressing reminder of the need to protect artistic integrity against forces that seek to diminish or eliminate it. By reexamining the poet's legacy through this narrative lens, the play sparks conversations about the importance of safeguarding the freedom of expression and the vulnerabilities that artists face in their pursuit of truth.