The article reflects on the release of new editions of Pier Paolo Pasolini's plays, particularly focusing on his work "Teorema," which originally emerged as a theatrical piece in 1966. The play tells the story of an androgynous young man who disrupts the lives of a wealthy Milanese family, causing them to confront the futility of their existence. This surreal narrative explores themes of desire, obsession, and madness, ultimately leading characters to tragic fates.

Despite Pasolini's prominence as one of the most influential and controversial intellectuals and filmmakers of the 20th century, his theatrical works remain largely underappreciated and underexplored worldwide. The article notes that initial receptions of his plays in the 1960s were not favorable among mainstream audiences, likely contributing to their obscurity in the decades since. The new publication by Cosac aims to revitalize interest in his theatrical contributions, providing readers with access to works that reflect complex societal critiques.

Pasolini’s productions delve into the darker aspects of human nature and societal decadence, wielding a powerful critique of bourgeois life and existential despair. The resurfacing of his plays today not only serves as a reminder of his artistic genius but also invites contemporary audiences to engage with themes that are increasingly relevant in discussions of modern society's moral compass and cultural decline.