In a rather unique practice that has persisted for over 800 years, people in China have been known to disrespect the statues of historical figures seen as betrayers. This tradition is primarily centered on the statues of Qin Hui and his wife, Wang Shi, located near a lake in Hangzhou, where visitors repeatedly kick, slap, and spit on the figures. The statues are positioned in a way that suggests a sense of shame and regret, with their faces directed downwards, reinforcing the feelings of resentment and vengeance among those who partake in this act.

The narrative behind these figures is tied to one of the most infamous events in Chinese history, wherein Qin Hui is perceived as having betrayed a national hero. As a result, the public’s ceramic association with these figures embodies a historical memory of betrayal and serves as a means of emotional expression for those who feel they have been wronged or deceived. This ongoing practice raises questions about historical memory and how societies choose to honor or disgrace their historical figures.

Despite the modern context, this tradition stands as a reminder of the enduring impact of historical narratives on contemporary practices. It showcases the complexities of Chinese history and the ways in which collective memory is expressed through cultural rituals that blend reverence with contempt. Such actions may appear bizarre to outsiders yet reveal deep-seated cultural sentiments regarding guilt, revenge, and national pride.