The release of the film 'The King and the Man' has led to mixed reactions regarding historical figures associated with it, with criticism directed at Sejo, who usurped the throne from Danjong, reflecting a growing collective expression of sentiment in the digital age.
The recent premiere of the movie 'The King and the Man', which dramatizes the tragic life of King Danjong, has sparked a wave of criticism directed at the tomb of King Sejo, who overthrew Danjong. In an unusual twist, the page for Gwangneung, Sejo's tomb on a popular map application, has been inundated with negative comments and ratings, which has prompted the site to activate a 'Safe Mode' that limits user interactions. The influx of remarks criticizes Sejo's historical actions, with many users expressing their disdain for the king, thereby highlighting the complexities of how historical narratives are re-evaluated through modern lenses.
Amid this scenario, while the staff managing Gwangneung expressed appreciation for the surge in interest surrounding historical discussions, they are simultaneously vigilant to prevent any potential vandalism or disrespect towards the site due to the contentious nature of the commentary. Comments have ranged from harsh critiques of Sejo’s actions during his reign, to more sympathetic remarks directed at Danjong, who is remembered with affection at his own tomb, suggesting a rising trend in public engagement with historical figures and their legacies.
Experts suggest that the phenomenon of users expressing their opinions through reviews is a reflection of collective behavior in the digital age, where such platforms become stages for critique and commemoration. Analysts indicate that the act of commenting on historical figures through digital mediums is perceived not merely as negative feedback but as a form of participatory culture that seeks to redefine how society engages with its past and honors historical memory, reinforcing a collective memory that resonates with contemporary sentiments.
