The article from Politiken explores the intriguing yet controversial Spanish documentary 'Moments of Silence' ('Tardes de Soledad'), directed by Albert Serra. This film presents the complex relationship between the matador, the bull, and the artistic gaze of the camera, which intertwines their identities in a powerful depiction of bullfighting. The filmmaker's choice to maintain a neutral stance on such a polarizing subject evokes both disgust and deep fascination among viewers, prompting reflection on the ethics of the spectacle.

Through its close-up shots and immersive sound design, the documentary invites the audience into the intimate space of the bullfighting arena, allowing them to experience the tension and anticipation leading to the tragic conclusion of the event. The film is described as "cold in the ass," suggesting that it withholds emotional judgment, which might provoke viewers to grapple with their own feelings toward bullfighting.

Ultimately, the review highlights how the film serves as a mirror reflecting society's complex relationship with tradition and cruelty in the name of art and entertainment. By not taking a side, the film creates an intriguing discourse about our desensitization to violence and the aesthetics of death, leaving viewers to contemplate their own stances on the nature of such performances.