Albert Serra's film 'Tardes de soledad' showcases the brutality of bullfighting, highlighting the visceral nature of this centuries-old tradition. As the documentary unfolds, graphic scenes depict the moment daggers pierce the bull's neck, evoking a potent mix of horror and fascination. While Serra and his team capture the drama, the film also grapples with the moral implications of such displays of violence in modern cinema.

The documentary has gained significant recognition, winning prestigious awards such as the Golden Shell at the San Sebastián Festival and placing high on various cinema critiques. Its reception has been polarized, with some celebrating its artistic merit while others, including animal rights activists, vehemently oppose its portrayal of animal suffering. This tension illustrates wider societal debates regarding traditional practices and their place in contemporary culture.

As Serra's work challenges viewers to confront the uncomfortable realities of bullfighting, it also raises questions about the role of cinema in portraying violence. The film's tagline, emphasizing that without blood, there would be no film, serves as a provocative reminder of the consuming nature of both art and tradition. This film is a call to reflect on the ethics of representation and the responsibilities filmmakers may have towards their subjects and audiences.