During the recent holiday period, South Korean cinemas have presented a remarkable array of films, considered to be the richest selection in recent years. The lineup includes major commercial blockbusters alongside smaller, indie films across various genres. Noteworthy local productions feature big-budget films as well as adaptations of classic literature from acclaimed directors like Hou Hsiao-hsien and Yasujirō Ozu, showcasing a mix of historical and contemporary narratives.

One of the most anticipated films is 'Humint' by director Ryoo Seung-wan, an action thriller set in Vladivostok that portrays the tension between North and South Korea through the story of a northern informant. This film is connected to Ryoo's earlier success 'Berlin,' maintaining a complex narrative structure where four characters become intertwined in a central event related to international crime involving North Korea. The film promises a visually striking experience against the backdrop of Vladivostok while delivering intense action sequences that are intricately designed.

Another notable film is 'The King’s Last Man' directed by Jang Hang-jun, which reimagines the tragic tale of King Danjong during his exile in Gangwon-do. The film begins with comedic elements involving a village chief attempting to attract notable exiles, only to encounter the exiled king. The movie balances humor in its early scenes with poignant performances in the latter half, evoking deep emotional responses from the audience. Lastly, 'Number One,' based on a Japanese novel, explores familial ties and the bond between a mother and her child, introducing unique, thought-provoking narratives.