The musical ‘Dreaming the Dream’, which debuted in 2002, is making a significant comeback at the National Theater of Korea, exploring profound themes rooted in classical tragedies. Drawing inspiration from Greek tragedy and the historical accounts in the Samguk Sagi, the narrative unfolds the tragic consequences that stem from human desires, particularly focusing on the character of King Yeogyeong, who is caught in a dilemma between his royal commitments and personal love. The production emphasizes that true tragedy often arises from pure motivations such as love and responsibility, encapsulating the essence of human nature's contradictions.

This contemporary adaptation, based on Choi In-ho’s 1995 novel ‘Dreaming of the Dream’ (몽유도원도), brings a unique Korean aesthetic to the table, identifying with the cultural roots of the Baekje dynasty while crafting a musical experience intended for broad international appeal. Director Yoon Ho-jin has expressed ambitions for the show's worldwide performance potential, aiming at universal relatability through its storytelling, which stays relevant even for those unfamiliar with Korean history or folklore. The production is set to impact the international stage, with plans for a performance in New York this autumn and aspirations for Broadway in 2028.

The narrative centers on King Yeogyeong, portrayed by Min Woo-hyeok and Kim Ju-taek, who becomes entranced by a dream of a mysterious woman, culminating in a power struggle amidst the aristocracy vying for the throne. This age-old conflict—between duty and desire—reflects the timeless nature of tragedy while showcasing how specific cultural elements, such as Korean lore and symbolism, infuse fresh life into the genre. Overall, ‘Dreaming the Dream’ not only honours the conventions of classical tragedy but also reinvents them in a contemporary and culturally distinct manner, thereby enriching the Korean theatrical landscape and setting the stage for future international collaborations.