Dārta Ceriņa and Žulijens Nuhums Kulibali engage in a conversation about two significant cinematic works: 'Grace' by the acclaimed Italian filmmaker Paolo Sorrentino and 'The Kremlin Wizard' by French director Olivier Assayas. They delve into the themes of political representation in cinema, focusing on how these films encapsulate contemporary power dynamics, the emergence of a new aristocracy, and the complex labyrinth of political influence in today's society. The dialogue raises questions about the role of cinema in reflecting and shaping political discourse.

Sorrentino's 'Grace', showcased at the Venice Film Festival, marks a departure from his traditionally lavish and aesthetic approach seen in previous works like 'The Great Beauty' and 'Partenope'. Instead, this film adopts a more intimate narrative style, offering a poignant portrayal of president Mariano de Santis, portrayed by Sorrentino's frequent collaborator, actor Toni Servillo. The film's emphasis on dialogue and character reflection presents a nuanced perspective on political themes, inviting viewers to engage with the intricacies of power structures and their ramifications.

The discussion underscores the significance of both films in framing political conversations and critiques in a modern context. By examining characters and narratives, Ceriņa and Kulibali suggest that these cinematic expressions serve not only as entertainment but also as critical lenses through which audiences can scrutinize the realities of political authority and societal structures. Thus, the conversation not only celebrates the artistry of cinema but also emphasizes its potential impact on public understanding of governance and power.