The review discusses the French director Olivier Assayas' film 'Kremlin magician', which is based on the work of Italian writer Giuliano da Empoli. The article suggests that Western perceptions of the socio-political affairs in Eastern Europe are often fraught with contradictions—exhibiting both misplaced confidence and ignorance. The film revolves around a Western journalist who travels to Russia to investigate the works of writer Yevgeny Zamyatin, only to encounter Vadim Baranov, based on the real-life political figure Vladislav Surkov. The film touches on themes of manipulation and the workings of power in contemporary Russia.

Baranov, portrayed by actor Paul Dano in the film, serves as a metaphor for the hidden influencers in Russian politics, especially in the context of Putin's regime. Surkov, often referred to as the 'gray cardinal' of the Kremlin, is known for his role in shaping the political landscape and public perception in Russia. The film presents a complex narrative that captures the essence of Baranov's character, who embodies the clandestine yet influential presence of political strategists behind the scenes in Russia, engaging with the intricate ties between power, media, and perception.

Ultimately, 'Kremlin magician' highlights the challenges faced by outsiders trying to comprehend the intricacies of Eastern European political dynamics. It invites viewers to reflect on the nature of perception and reality in the political arena, questioning how narratives are constructed and who holds the power to shape them. This exploration not only sheds light on the specific figure of Surkov but also raises broader questions about the influence of such political technologists in shaping public discourse and policy in contemporary Russia.