The article critiques the political hypocrisy of the Italian left regarding censorship, particularly in light of past performances that were once celebrated.
The article reflects on a past event at the Sanremo festival where rapper Fedez kissed Rosa Chemical, a moment that was perceived as a political statement against hypocrisy. Initially embraced in an era of liberal expression, it is now contrasted with the current climate where criticisms are met with accusations of fascism; the author argues that this sets a double standard in the left's advocacy for freedom of expression.
The writer highlights the irony of the left's transformation from champions of civil rights to censors when faced with dissenting views or provocations that do not conform to their political agenda. The example of comedian Andrea Pucci facing backlash exemplifies this shift, suggesting that the Italian left selectively applies its principles based on alignment with its ideology.
Ultimately, the piece is a call for self-reflection within the left, urging a reassessment of their commitment to free expression. It emphasizes the importance of consistency in political beliefs and warns against the dangers of censorship, particularly when wielded by those who previously positioned themselves as defenders of artistic freedom and civil liberties.
