The article discusses Emily Brontë's novel 'Wuthering Heights,' first published in 1847, noting its unpleasant and uncompromising themes which make it a challenging read. Despite this, the upcoming film adaptation is being heavily marketed as a romantic movie, particularly around Valentine's Day, using the star power of Margot Robbie and Jacob Elordi to attract audiences. The author expresses concern over the portrayal of the story, highlighting a dissonance between the book's dark subject matter and the romantic framing used in the film's promotion.

The article argues that the essence of 'Wuthering Heights'—a complex exploration of love, revenge, and revenge-driven obsession—should not be trivialized or romanticized for commercial purposes. This raises larger questions about how classic literary works are adapted for contemporary audiences and the implications of altering their core themes to fit popular narratives. By promoting the film as a romance, it risks misleading viewers who expect a conventional love story rather than a tale steeped in turmoil and emotional strife.

In conclusion, the author suggests that those considering a Valentine's outing to see 'Wuthering Heights' should reconsider, as the film may not align with the traditional romantic sentiment associated with the holiday. Instead, the true nature of the story requires a more nuanced understanding, which may not be conveyed in a marketing campaign that simplifies its themes for mainstream consumption.