In a recent column in Folha, journalist and screenwriter Mariliz Pereira Jorge expresses her outrage over the judgment of women's bodies, particularly following the tragic death of singer Marília Mendonça. She was shocked to see comments analyzing Mendonça's appearance through a damaging lens, labeling her as 'not the most attractive for the market' and focusing on her weight rather than her artistic achievements. Jorge argues that this judgment epitomizes not only fatphobia and misogyny but also a concerning laziness in perception, which reduces talented women to mere superficial critiques.

Jorge's commentary stresses that the real significance of figures like Mendonça lies in their talent and unique personalities, rather than conforming to traditional beauty standards. She laments that reducing Mendonça to her physical characteristics fails to recognize her influence within a male-dominated industry, which was previously uniform and homogenous. Instead of appreciating the depth of her artistry, society often focuses on aesthetic judgments—underlying a subtle misogyny that undermines women's voices.

Moreover, based on her observations, Jorge highlights that Mendonça resonated deeply with the public because she portrayed authenticity and approachability, appearing as a relatable friend or sister rather than a mere glamorous persona. This relatability is what allowed her to connect with her audience on a personal level, emphasizing the need for society to celebrate women's achievements based on their contributions rather than their adherence to narrow beauty ideals.