Mariangela Gualtieri. Secular Prayer to Love, the Only Homeland
The article discusses the interplay between silence and sound in poetry during war, focusing on Mariangela Gualtieri's concert 'Ruvido umano.'
The article reflects on the role of poetry during wartime as a meeting of silence and sound that crafts a new intergenerational verse. It presents 'Ruvido umano,' a concert merging spoken poetry with electronic music, directed by Cesare Ronconi. This performance features the renowned poet and playwright Mariangela Gualtieri alongside experimental musician Ilaria Lemmo, highlighting the powerful connection of distant worlds through poetry.
Gualtieri's work emphasizes how poetry can connect disparate experiences, particularly in times of conflict, by fostering an understanding that transcends generations. The concert combines her evocative verses recited with innovative electronic music, creating a rich auditory experience that resonates deeply with contemporary issues. This artistic endeavor manifests not just as performance but as a collective exploration of human emotions and relationships amid adversity.
The implications of such a performance are significant, given the current backdrop of conflict in various parts of the world. By invoking themes of love, belonging, and the search for peace, Gualtieri's presentation serves as a reminder of the potential for art to unify and inspire hope amidst war. It challenges the notion of homeland by proposing love as the singular, unifying idea that can bring people together, thus proposing a more profound understanding of loyalty and identity in turbulent times.