Eileen Myles, an iconic figure in American poetry, offers a strong critique of AI-generated poetry, stating that such creations are invariably of low quality and lack the authenticity that human expression delivers. Myles draws comparisons to the appreciation of art, noting a preference in the contemporary art world for flawed AI poems over remarkable human works. Her remarks come as she prepares to attend a festival in São Paulo, reflecting her ongoing relationship with the literary and artistic community.

Myles, who is part of the Beat Generation legacy alongside notable poets like Jack Kerouac and Allen Ginsberg, emphasizes the intrinsic value of oral and experiential poetry that she believes machines cannot replicate. Despite her criticisms of AI in the realm of poetry, she acknowledges a growing fascination with the poetic form in today's culture, remarking on a notable resurgence of interest in poetry over the past decade. Her own works have only recently started gaining traction in Brazil, with significant publications released in the last few years.

As she heads to São Paulo, Myles' presence at the festival signals a significant cultural moment, bridging her history with the Beat poets to contemporary poetic discussions. The ongoing dialogue surrounding poetry, both human and AI-generated, raises questions about the nature of creativity, the role of technology in the arts, and the value we assign to poetic expression in an increasingly digital world.