I left gospel music because it wasn’t profitable — Producer, Ozedikus
Nigerian music producer Ozedikus discusses his shift from gospel music to other genres due to profitability concerns.
In an interview with OGHENOVO EGODO-MICHAEL, Nigerian music producer Igbinoba Osaze, known as Ozedikus Nwanne, reflects on his journey in the music industry and his decision to leave gospel music. He emphasizes the importance of versatility and talent in artists he collaborates with, stating that the foundation of their musical knowledge and their energy is crucial for creative synergy. Ozedikus also expresses that he is selective about the artists he works with, looking for those who are not only talented but also driven and eager to succeed.
Ozedikus reveals that his interest in music began with gospel, highlighting the genre's deep roots in his artistic development. However, he candidly admits that the lack of financial viability in pursuing a career solely in gospel music drove him to explore other genres. This decision indicates a broader trend in the music industry where many artists and producers navigate the balance between artistic passion and commercial success. His insights provide a glimpse into the challenges faced by musicians in Nigeria, where the profitability of a genre can heavily influence career choices.
The conversation sheds light on Ozedikus's personal philosophy towards music production and collaboration. He stresses that despite the initial allure of gospel music, the realities of the industry compelled him to adapt and seek opportunities in more commercially successful genres. This narrative not only reflects his individual journey but also highlights the broader dynamics within Nigeria's music scene, where financial considerations often intersect with creative expression.