The article examines the ongoing wave of artificial intelligence (AI) permeating various fields, particularly focusing on its influence in the film industry. The author, Lee Sang-hyo, expresses a general skepticism towards trending concepts, reflecting on how previous trends like the 'Fourth Industrial Revolution' and 'Metaverse' faded away. Unlike these previous buzzwords, AI appears to be fundamentally altering the way the world operates. Lee suggests that past trends might have dissipated into the overarching and more substantial changes brought by AI, hinting at its transformative power.

In the context of cinema, AI is increasingly becoming a topic of discussion at film festivals, with sessions dedicated to AI-related productions and screenings. Films have evolved from being mere visual experiences to becoming a major narrative medium of the 20th century thanks to advancements such as sound and digital technology. As traditional cinematic experiences strive to maintain their unique identity, the emergence of 'AI movies' introduces new complexities. However, there is a prevailing uncertainty regarding the true meaning and implications of AI in film, as the industry grapples with the integration of this technology.

The definition of 'AI movies' remains ambiguous, with potential interpretations ranging from films created solely by AI to those where humans utilize AI as a powerful tool in the creative process. The article points out that most films currently categorized as AI movies lean towards the latter, where AI simplifies labor-intensive tasks that were previously time-consuming. For instance, scenes that once required intricate hand-drawn frames can now be generated with simple commands. This widespread application of AI in all areas of film production, including shooting, lighting, and location management, signifies a profound shift in the industry that remains to be fully understood.