The article explores the theater production 'Protocols' by Alejandro Stilman, which aims to unpack the meaning behind the word 'protocol,' suggesting that it signifies an authority that stifles discourse and critique. The narrative is set against the backdrop of current policing strategies in Argentina, where security forces create a physical barrier in public spaces like Plaza Congreso to suppress mobilization attempts, thus instilling a culture of repression. This theatrical work does not directly depict these events on stage but rather engages in a visual and analytical examination of the oppressive tactics employed by authorities.

The production invites the audience to reconsider the implications of 'protocols' within the social and political landscape of Argentina. By presenting the dynamics of power as they relate to law enforcement, the play serves as a commentary on the relationship between authority and public dissent. The piece reflects on how theater can challenge and disrupt established meanings, particularly those associated with police protocols and the broader implications of state power.

Ultimately, 'Protocols' stands as a significant artistic endeavor that critiques the normalization of repression in society. It emphasizes the importance of artistic expression in questioning authority and fostering dialogue about the role of police in regulating public space, thereby encouraging audiences to rethink their perspectives on power, control, and resistance in contemporary Argentina.