The article highlights the relationship between the author and Pietrangelo Buttafuoco, a prominent journalist and writer who was appointed president of the Venice Biennale. The author expresses admiration for Buttafuoco, positioning him as a vital figure in contemporary journalism and literature. The conversation shifts toward the relevance of cultural discourse amidst ongoing global conflicts involving countries such as the USA, Israel, Iran, Russia, and Ukraine.

Buttafuoco advocates for cultural interaction rather than isolation, suggesting that all nations, regardless of their political stance, should participate in cultural exhibitions like the Venice Biennale. He believes that such platforms are essential for showcasing art and fostering dialogue, even if the displayed works are politically charged or seen as propaganda. The article suggests that the true value of these discussions lies in transparent criticism and reflection on the artworks' meanings and implications.

This perspective is particularly significant in the context of contemporary geopolitics, where artistic expression can serve as a bridge in divisive times. The author's take on the inclusion of Russia in cultural events challenges prevailing narratives of exclusion and emphasizes the need for open dialogue through art, potentially reshaping public perception and cultural engagement during troubled times.