The Ghent exhibition 'Old masters too' brings attention to the often-overlooked contributions of female artists during the Baroque period, particularly through the works of Judith Leyster. Leyster, who painted a notable self-portrait at the young age of 21 in 1630, represented a significant breakthrough for women in the art world, as she was among the first to adopt the self-portrait technique in an era dominated by male artists. Despite her acclaim at the time, she soon faded into obscurity, with her works frequently misattributed to male counterparts or dismissed altogether.

The exhibition serves to rectify this historical oversight, shining a light on women artists whose talents were eclipsed by gender biases. Visitors to the exhibition will not only encounter Leyster's fascinating body of work but also learn about other female Baroque artists who faced similar challenges in their careers. By featuring these works prominently, the exhibition aims to inspire a reevaluation of how art history has traditionally undervalued women's contributions, urging a more inclusive narrative that recognizes their significant impact on the art world.

Furthermore, this initiative reflects a broader cultural movement to challenge established art narratives that prioritize male artists. As discussions around gender equality and representation in the arts continue to evolve, exhibitions like 'Old masters too' empower future generations to appreciate the vital role women have played in shaping artistic heritage. The acknowledgment of female artists not only enriches our understanding of art history but also promotes ongoing conversations about diversity and representation across all creative fields.