In the article, the author contemplates the pervasive nature of crime novels, indicating that there exists a vast number of crime fiction written by countless authors across various languages and cultures. This overwhelming quantity has led to scholarly debates where some assert that all novels can qualify as crime novels, merely by containing a mystery and a detective-like element. The author shares an intriguing viewpoint that essentially all books present some form of enigma that requires resolution, thus blurring the lines of categorization.

The author points out a historical bias against crime novels within literary academia, where these works were often looked down upon. However, the suggestion that all novels might possess crime novel characteristics challenges this perspective, raising questions about the validity and implications of literary elitism. This debate becomes particularly relevant in terms of how literature is evaluated and appreciated, and it suggests a necessary shift in understanding the diverse forms that storytelling can take.

Ultimately, the article calls for a more nuanced approach to literary analysis, encouraging readers and critics alike to identify the unique qualities of crime novels while recognizing that the thematic elements of mystery and investigation can transcend traditional boundaries. This broader acceptance could enrich literary discourse, allowing for a deeper appreciation of narratives that explore human experiences through different lenses.