During the latest edition of Lollapalooza in Chile, a Chilean band named Candelabro sparked controversy by projecting images of leaders including Argentine President Javier Milei with swastikas superimposed on their foreheads. This act occurred during their performance at the Parque O'Higgins, where they played a cover of the song "Ultraderecha" by Los Prisioneros, which is critical of right-wing politics. The projection appeared on large screens, evoking strong reactions from the audience and the public alike.

The band not only featured Milei but also included images of other political figures, such as U.S. President Donald Trump and Israeli Prime Minister Benjamin Netanyahu, alongside the recently elected Chilean President José Antonio Kast. This provocative imagery was paired with a performance aimed at delivering a potent political message, reflecting the band's stance against extreme right ideologies. The event has drawn attention due to the sensitive nature of associating these politicians with such a stigmatized symbol as the swastika.

This incident raises questions about the limits of political expression in music and performance art. It also highlights the rising tensions and polarized political climate in Latin America, particularly concerning right-wing populism. As performers use their platforms to address controversial subjects, the role of art as a form of political commentary continues to be a significant aspect of cultural discourse in the region.