The article analyzes the current state of conservative cultural production, comparing it with the contributions of past conservative writers to modernism. It references Oscar Wilde's assertion that art is categorized as good or bad, not moral or immoral, and critiques contemporary critical discourse that focuses excessively on morality. The author shares personal experiences of appreciating leftist authors for their aesthetic qualities, highlighting a tension between aesthetic value and political ideology.

The piece raises a provocative question posed by Dave Greene regarding the current absence of significant conservative art. The author instinctively corrects Greene, asserting that conservatives did indeed contribute meaningfully to the art landscape in the past. The mention of figures such as Baudelaire indicates that conservative thinkers had previously shaped notable literary movements and contributed to the richness of artistic expression.

In conclusion, the article suggests a form of ideological introspection within the conservative arts community. It implies a need for conservatives to find their footing in the creation of art that resonates in today's cultural context, drawing on historical successes while developing contemporary expressions that can engage with modern audiences, overcoming trends of resentment and moral instruction.