Eleni Alifragki: "... music has the power [...] to save experience..."
The performance '(Crash)' draws inspiration from Lily Zografou's short story and explores themes of injustice and concealment through intense physical theatre and role changes.
The performance '(Crash)', directed by Andrea Psyllia and inspired by Lily Zografou's short story 'The Terror', showcases an intense physical theatre experience with multiple role changes performed by five actors and a musician. Scheduled for three more shows at the Michalis Kakogiannis Foundation, the narrative revolves around a woman's story that serves as a starting point for a modern tale dealing with injustice and concealment. The production immerses the audience in a chaotic and absurd square, echoing the tragedy that remains etched in the collective memory.
The performance aims to examine the dynamics of injustice in contemporary society, allowing the audience to reflect on the realities that often go unnoticed. The choice to intertwine compelling music throughout the show, created and performed by the musician, elevates the emotional depth and provides a significant backdrop for the unfolding drama. The collaboration between the actors and the musician is designed to enhance the storytelling experience, offering a unique blend of sound and movement.
As the production continues its run in Athens, it engages with themes deeply rooted in Greek culture and collective experience. The interplay between physicality and music serves to underscore the narrativeβs central themes, providing a space for the audience to engage with the complexities of human emotions and societal issues. The reflection on the power of music as a tool for preserving experience and memory resonates throughout the production, inviting spectators to consider how art can provoke dialogue on critical issues.