On March 13, 2026, Abidjan witnessed a historic event with the return of the sacred talking drum, Djidji Ayokwé, which had been stolen during colonial times and recently exhibited at the Quai Branly Museum in Paris. The drum, symbolizing cultural heritage, arrived early in the morning by a special flight chartered by the Ivorian government. The ceremonial reception at the presidential pavilion of the airport was marked by the presence of the Bidjan community, officials, and representatives from France and UNESCO, all gathered to commemorate this significant moment.

The emotional atmosphere during the drum's arrival was palpable, as members of the Bidjan community expressed a sense of justice and remembrance. The drum, which remains unopened for acclimatization, serves not only as a musical instrument but also as a powerful symbol of Ivorian identity and cultural resilience. The officials present emphasized the importance of this return in restoring historical injustices and reconnecting the Ivorian people with their cultural roots.

This event is not merely a ceremonial occasion but signifies a broader movement towards repatriating cultural artifacts taken during colonization. It raises important discussions about the role of heritage in national identity and the implications of restoring such items to their countries of origin. The return of the Djidji Ayokwé is seen as a step towards healing and reconciliation for the Ivorian people and a reaffirmation of their cultural legacy.