Ali Abbasi, a Danish-Iranian filmmaker known for his works 'Holy Spider' and 'The Apprentice', shares how his experiences and films have transformed his views on war, particularly in light of the current situation in Iran. Once a hawk regarding military conflict, Abbasi now expresses deep concern about the trajectory of his homeland and the effects of ongoing strife. He stresses the importance of having personal connections to the crisis, especially as many of his relatives remain in Iran, making the situation even more poignant for him.

During an interview, he highlights the emotional toll that the war has taken on both him and his family, as they struggle with uncertainty and fear regarding their relatives left behind in Iran. There’s a stark contrast between his youthful vigor for war and his current pessimism, as he grapples with the complexities and brutal realities of conflict while trying to maintain a critical perspective through his art. His films aim to shed light on these harsh realities, but Abbasi admits to feeling disillusioned by the current state of affairs in his country.

Furthermore, Abbasi's reflections serve as a reminder of the personal impacts of war that go beyond the headlines. His work not only brings attention to important social issues but also encapsulates the broader human experiences of loss, fear, and the quest for understanding in the face of violence. As he navigates the dual identity of being a creator and a concerned family member, Abbasi's insights underscore the intricate relationships between art, personal experience, and global conflict, painting a troubling picture of Iran's future amid ongoing battles.