The article highlights the collateral damage caused by the ongoing war in Iran, specifically focusing on the impact on significant Persian historical monuments and world heritage. It points out that important sites and artifacts, including even Picasso's works stored in Tehran, are not safe amid the warfare. The author emphasizes the tragic reality of cultural loss amidst the high civilian casualties suffered by the Iranian population, which are significant enough to warrant attention on their own.

While the article acknowledges the pressing need to focus on civilian casualties amidst the conflict, it draws parallels to past instances where cultural heritage has suffered due to military actions, specifically referencing the Taliban's destruction of the Buddhas of Bamiyan, and the damage inflicted on archaeological sites in Iraq and Syria by extremist groups like ISIS. This discussion raises critical questions about the motivations behind the systematic eradication of cultural symbols and identity carriers during conflicts.

Furthermore, the article urges for a deeper understanding and response to the consequences of war on heritage. It argues that the destruction of cultural landmarks not only represents a loss of history but also constitutes a broader assault on the identities that these monuments symbolize, emphasizing the need for international attention and protection of cultural heritage in conflict zones. This highlights a crucial aspect of warfare that often goes overlooked but is nevertheless vital in preserving humanity's shared history and legacy.