The article begins by evoking the picturesque imagery of Oslo's bay, dominated by small islands similar to the expressive brush strokes of Edvard Munch, one of history's most renowned painters. Visitors can spend hours at the imposing Munch Museum, particularly captivated by his iconic painting, 'The Scream', which embodies feelings of intense solitude and existential angst. The author suggests that this artwork is not just a historical artifact but resonates with the ongoing struggles of humanity, hinting at a future where such feelings could lead to significant consequences.

As the narrative continues, the author draws a connection between Munch's 'The Scream' and the contemporary reality of Oslo. The city's greyness and concrete structures evoke a similar sense of anxiety and melancholy, reflecting the existential struggles faced by its residents. This atmosphere urges individuals to confront their own feelings of isolation and misunderstanding, much like the figure in Munch's painting, which still holds relevance today. The backdrop of the Nobel Peace Center serves as a reminder of the political discourse surrounding peace and conflict in current times.

The piece transitions into a specific commentary on American politics, potentially influenced by the presence of former President Trump. The ironic tone suggests that his actions and character evoke strong reactions, paralleling the emotional intensity found in Munch's works. This connection illustrates how historical art can remain relevant when juxtaposed with the tumultuous nature of modern global politics, reflecting the cries for understanding and acknowledgement that resonate within contemporary society, especially among Iranians and other marginalized groups.