On March 8, International Women’s Day, feminist artist Luz placed a corset over the bronze bust of Dalida in Montmartre, Paris, as a radical feminist statement. This act was aimed at preventing men from touching the chest of the sculpture, a gesture traditionally believed to bring good luck in romantic endeavors. The corset serves as a metaphor for addressing the historical objectification of women and reclaiming female autonomy over the portrayal of their bodies.

The bust of Dalida, erected to honor the Franco-Italian singer who lived nearby, has become a popular spot for tourists who touch its bronze breasts, believing it symbolizes love and happiness. Over the years, this continuous touching has led to a patina that resembles a gilded bra, highlighting how public art can be subjected to ritualistic behaviors that reinforce certain cultural narratives regarding femininity and allure. Luz's intervention disrupts this cycle by introducing an element of surprise and challenge to the conventional interactions with the sculpture.

This artistic action not only commemorates Dalida's legacy but also sparks dialogue around women’s rights and the need for respectful engagement with female representations in public spaces. By covering the bust, Luz invites onlookers to reflect on their actions and the underlying meanings of such interactions, aligning the celebration of women's achievements with a critique of lingering societal attitudes towards women and their bodies.