Croatian veterans have publicly called for singers Toni Cetinski and Jakov Jozinović to cancel or move their scheduled concerts at the SPENS venue in Novi Sad. This location is not just a concert hall; it was previously used as a concentration camp for Croatian soldiers and civilians during the 1991 conflict resulting from the Yugoslav Wars. The veterans emphasize that performing in such a place disrespects the memory of those who suffered there, as the hall was a site of unimaginable atrocities including beatings and abuse.

Toni Cetinski has responded to this outcry by canceling his performance, demonstrating sensitivity to the historical significance of SPENS. However, Jakov Jozinović's response is still awaited, which leaves uncertainty surrounding his commitment to the concert. The pressure from veterans' associations highlights ongoing tensions in Croatia regarding the remembrance and recognition of past traumas from the war.

The appeals from associations of Croatian veterans and victims of the Homeland War also serve as a reminder of the deep wounds that remain from the past conflicts in the region. It raises an important discourse about how public figures engage with historical contexts in their performances, as well as the collective memory of the Croatian people. Jozinović's decision will likely reflect not only on his career but also on the broader societal conversation about history and reconciliation within Croatia.