The exhibition 'Osculum. Basium. Suavium,' opened on February 13 at the Chekhov Theatre Gallery, invites visitors to engage with the art in an almost subconscious manner, allowing passersby to discover and interact with it organically. Many spectators stop to take photos or read descriptions that elaborate on the themes of touch, time, and closeness, visually represented through two rotating hand sculptures. The exhibition has drawn considerable attention not only for its artistic value but also for its emotional depth, captivating a diverse audience.

Artist Krista Vindberga-Auzniece has long held a fascination with hands, viewing them as profound symbols of individuality and identity. In her own words, hands have the power to serve as a portrait without a face, allowing for personal recognition even without direct eye contact. This exhibition displays her own hands, emphasizing her unique approach to art, where she often uses herself as a medium. This technique embodies her artistic philosophy, emphasizing patience and personal connection in the creative process.

By focusing on such intimate aspects of human experience, Vindberga-Auzniece's work encourages viewers to reflect on their own perceptions of touch and connection. The exhibition not only serves as a visual representation of these themes but also as an interactive experience, prompting conversations about the significance of bodily presence in art. The gallery setting further enhances the experience, making art accessible to all who pass by and fostering a collective dialogue about the nature of intimacy and identity in contemporary artistic expression.