The article highlights a conflict within the Danish film community regarding the origins of the CPH:DOX film festival, which is set to take place in Copenhagen in the coming weeks and is recognized as one of the leading documentary film festivals in the world. The filmmakers, Tine Fischer among them, assert that the current director of the Danish Film Institute has improperly taken credit for founding the festival more than 20 years ago. This claim has sparked a public debate over the contributions of various individuals to the festival's inception and growth.

Tine Fischer and her colleagues argue that the director's assertion undermines the collective efforts and sacrifices made by the original founders of the festival. They express their frustration at being overshadowed in the conversation about the festival's history and success. The Danish Film Institute, on the other hand, has dismissed these accusations and defends the director's statements regarding their role in the festival's establishment.

This dispute not only reveals the complexities of authorship and credit in the arts but also underscores the tensions that can arise within creative communities. As the festival approaches, the outcome of this conflict may influence public perception of not only the festival itself but also the Danish Film Institute's leadership and its relationship with the film community at large.