On March 5th, Indrek Spungin's documentary film titled "Happiness is to Live in Our Land" premiered in Tallinn, exploring the emergence and struggles of the punk band Velikije Luki in 1980s Estonia. The film delves into the historical context of the decade as the Soviet Union was promising a communist paradise, yet the reality for many, including musicians, was characterized by poverty, lack of resources, and extensive ideological control amidst the looming threat of nuclear conflict. Through this lens, the documentary captures the essence of the punk movement, which symbolized rebellion and hope during a time of significant societal repression.

The documentary narrates how, during the deepest stagnation of the era, between the late 1970s and early 1980s, a group of musicians including Ivo "Munk" Uukkivi, Allan Vainola, Peep Männil, and Villu Tamme began to convene in a garage studio in Pääsküla, ultimately forming Velikije Luki. This gathering marked the beginning of a subcultural movement that not only served as an escape from oppressive societal conditions but also allowed members to express their dissatisfaction openly, resisting through music despite harsh consequences from the authorities, such as arrests and concert bans.

Furthermore, the film underscores the importance of alcohol as a dual-edged sword—providing comfort and courage to these artists, yet also leading them into a realm of increased vulnerability and danger as they navigated their artistic and personal challenges. The narrative intertwines personal stories with broader revolutionary themes, highlighting how the punk culture in Estonia became a poignant form of resistance and a representation of hope during a repressive regime.