The review delves into the New Riga Theatre's adaptation of Miguel de Cervantes' "Don Quixote," guided by director Ādolfs Šapiro, who emphasizes a contemporary issue: the decline in reading among individuals. The protagonist, Alonso Quijano, transforms into Don Quixote after immersing himself in stories of knights, leading him to become engaged in absurd quests filled with comic misunderstandings. He chooses a peasant girl, whom he never even speaks to, as his lady love, Dulcinea, showcasing the folly and romanticism in his endeavors.

The literary backdrop of Cervantes' text, crafted in early 17th century Spain, serves as a crucial element in understanding the narrative and its implications. During a period marked by economic decline, court intrigues, and religious determinism, the novel encapsulates a rich and multifaceted portrayal of society at that time. The reviewer, Toms Treibergs, aptly reminds readers of this historical context, suggesting that "Don Quixote" offers profound insights into the human condition amid societal challenges.

Ultimately, the production at the New Riga Theatre resonates with themes of escapism, the absurdity of rigid adherence to ideals, and the timeless struggle between reality and fantasy. As audiences are invited to reflect on these notions, the adaptation not only brings Cervantes' story to life but also prompts a re-examination of contemporary societal narratives, making it relevant for modern viewers.