The campaign of Brazilian Adolpho Veloso for the Oscar: 'The only thing I don’t do that a politician does is eat pastel and hug children'
Cinematographer Adolpho Veloso shares his experiences campaigning for an Oscar nomination with the film 'Dreams of Train' directed by Clint Bentley.
Adolpho Veloso, a 36-year-old cinematographer from São Paulo now living in Lisbon, articulates the intense but somewhat isolating experience of campaigning for his first Oscar nomination for his work on the Netflix film 'Dreams of Train,' directed by Clint Bentley. He likens it to attending his own birthday party without knowing any guests, highlighting the alienation that often accompanies the glitz of awards season. Veloso has been on a rigorous campaign trail, similar to fellow Brazilian actors and filmmakers, participating in interviews, dinners, and Q&A sessions geared towards members of the Academy of Motion Picture Arts and Sciences.
Throughout this campaign, Veloso has immersed himself in a rigorous schedule, engaging with various media in different languages and across multiple countries to promote his film. He discusses the media frenzy surrounding Oscar contenders, acknowledging that while he may not receive the same level of press coverage as more prominent figures in the industry, the campaign requires equal parts dedication and strategy. Conversations with Academy members are essential as they play a pivotal role in determining Oscar winners, and these interactions form the crux of his promotional efforts.
Veloso's campaign journey reflects not only the highly competitive nature of the Oscars but also the personal sacrifices involved. While he remains focused on his goal, he also conveys a sense of humor about the absurdities of awards campaigning, comparing his experiences to those of politicians and acknowledging the unique pressures faced by filmmakers during this season. His story underlines the significance of personal connection and networking in an industry where recognition can alter the course of a career dramatically.