The article offers a glimpse into the life of Nemesio Oseguera, also known as El Mencho, the leader of the Jalisco New Generation Cartel (CJNG). According to testimonies presented in U.S. courts by his former collaborators, El Mencho had reservations about his son, El Menchito, using drugs, and was initially not convinced about the cartel's move into the fentanyl business. This reflects the complexities within powerful drug lord families where personal beliefs and the demands of the illicit drug trade can conflict.

The narrative continues within the confines of a federal prison, where El Menchito interacts with Mario Ramírez Treviño, a member of the Gulf Cartel. Amid their conversation, El Menchito proudly shares a song that honors his father's exploits, including an incident where their cartel shot down a military helicopter. This connection to pride in criminal activities demonstrates the culture that permeates within these cartels, where music and narrative serve to glorify violent actions and build mythologies around their leaders.

Ultimately, the account sheds light on the intertwining of familial relationships and the drug trade, highlighting how El Mencho's concerns for his son's well-being contrast sharply with the violent and perilous nature of their criminal enterprise. The implications of this dynamic are significant, illustrating how drug cartels are not only organizations of crime but also spaces where personal and familial dynamics can starkly influence the operations and culture of those involved.