The review discusses Jorge Schwartz's anthology, "Las vanguardias latinoamericanas" (The Latin American Avant-Gardes), which compiles pivotal texts that shaped the literary and artistic ferment of the 1920s in Latin America. Schwartz's work includes various manifestos, including those of notable figures such as the Chilean Vicente Huidobro, whose ideas significantly influenced the avant-garde movement. The article emphasizes how the avant-garde not only carried aesthetic and experimental implications but also evolved toward more political expressions by the end of the decade.

The text delves into the origins of the avant-garde movement in Latin America, marking its historical context with Huidobro's emphatic declaration of innovation in poetry from his 1916 work, 'Arte poética.' The subsequent flourishing of these movements in 1922 across various countries exemplified a synchronized cultural transformation that sought to redefine artistic boundaries. Schwartz's anthology captures this dynamic evolution by including a diverse range of programmatic and critical texts that reflect the multiplicity of voices contributing to the avant-garde discourse.

Ultimately, the article highlights the significance of Schwartz's anthology in preserving and presenting the foundational ideas of Latin American avant-gardes, suggesting that these movements were crucial not only for their artistic achievements but also for laying the groundwork for future political and cultural developments in the region. With a call to reconsider the contributions of these literary movements, the review positions Schwartz's work as essential for understanding the broader implications of avant-garde art and literature in shaping contemporary Latin America.