Green Party distances itself from Pedro Segura, who requested a group to sing narcocorrido of 'Mencho'
The Green Ecologist Party of Mexico distanced itself from Pedro Segura after he asked a band to perform a narcocorrido in honor of the drug lord Mencho.
The Green Ecologist Party of Mexico (PVEM) has publicly distanced itself from Pedro Segura Valladares, a former candidate for the Guerrero governorship, following a controversial incident in which he requested a music group to perform a narcocorrido dedicated to Nemesio Oseguera, known as 'El Mencho.' This request came after the drug lord's death in a military operation on February 22. The incident occurred at a private party at the Hotel Vida en el Lago in Tepecoacuilco, Guerrero, prompting significant backlash against Segura's actions, which many viewed as an inappropriate glorification of a notorious criminal figure.
The band Los Alegres del Barranco, which Segura approached to perform the song, refused to comply, citing their legal struggles in Jalisco related to similar past requests. As explained by the band's vocalist, they are currently facing legal challenges over accusations of promoting criminal activity through their music, and performing the requested song could further complicate their legal situation. This situation highlights the growing scrutiny and legal implications faced by artists in Mexico when dealing with drug-related themes in their work, especially after violent incidents linked to cartel activities.
In light of the larger societal context surrounding cartel violence in Mexico, Segura's actions may not only tarnish his political reputation but also reflect a troubling normalization of narco-culture. As the PVEM distances itself from Segura, it underscores the ongoing tensions in Mexican politics concerning the influence of drug cartels and the necessity for public figures to navigate these issues carefully. The incident serves as a reminder of the complicated relationship between music, politics, and narcoculture in contemporary Mexico, raising questions about the responsibilities of artists and political figures in how they engage with these sensitive topics.