Eva Victor, director of 'Sorry, Baby', the debut of the year: 'Reducing a person to the condition of a victim is a way of ignoring them'
Eva Victor discusses her debut film 'Sorry, Baby' and shares insights on the complexities of victim representation in cinema.
In an interview, director Eva Victor discusses her film 'Sorry, Baby', emphasizing the importance of portraying characters with depth and avoiding simplistic victimization. She reflects on how such representations can undermine their complexity and humanity, making a case for a more nuanced understanding of personal stories in cinema. Her journey into filmmaking, despite lacking formal education in the field, highlights her passion and willingness to learn from the works of influential filmmakers.
Victor notes that the attention surrounding her film has been overwhelming, and she expresses surprise that people are interested in her opinions. She finds the sudden public interest in her perspective both 'exciting and uncomfortable', showcasing her humility amidst accolades. The director reveals her admiration for specific films that have influenced her work, mentioning titles that resonate with themes of nuanced storytelling and emotional depth.
With international accolades including a political Golden Bear award at the Berlinale for another film, Victor's emergence as a director signifies a fresh voice in contemporary cinema. She recognizes the impact of the Goya Awards on Spanish cinema and aims to contribute to the conversation surrounding vital social themes through her work. Her candid reflections on her cinematic inspirations and artistic journey present her as an essential figure to watch in the film industry.