Feb 27 • 14:00 UTC 🇧🇷 Brazil Folha (PT)

Theater play subverts classic myth and celebrates the beauty of difference

A theatrical adaptation of Anne Carson's 'Autobiography of Red' is performed at Sesc Paulista, directed by Daniela Thomas and featuring Bianca Comparato, exploring themes of identity and acceptance.

The Sesc Paulista theater stage is currently showcasing an adaptation of Anne Carson's acclaimed poetic novel 'Autobiography of Red', directed by Daniela Thomas and starring Bianca Comparato. The play challenges traditional mythological narratives, particularly centering on the figure of Geryon, a monstrous winged giant, exploring the tensions between societal expectations and personal identity. Instead of portraying this mythological figure solely as a monster to be slain, the production seeks to voice Geryon's existence as one shaped by beauty and the quest for belonging in a world that favors conformity.

Through its innovative narrative, the performance raises profound questions about the interpretation of myth and the representation of those who deviate from societal norms. It allows Geryon, often seen as a tragic figure in classical literature, to narrate his own story, thereby providing a fresh perspective that celebrates difference and resilience. The adaptation resonates with the contemporary audience, emphasizing themes of acceptance, individuality, and the celebration of personal truth in the face of adversity.

The success of 'Autobiography of Red' since its publication in 1998 reflects a broader cultural movement towards recognizing and valuing diverse identities. This theatrical interpretation not only honors Carson's original work but also enriches the dialogue surrounding the complexities of identity, beauty, and survival. As such, it invites viewers to reflect on their perceptions of beauty and monstrosity, challenging them to reconsider who gets to tell their stories and why it matters.

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