Feb 27 • 13:26 UTC 🇩🇪 Germany SZ

Film: Those Who Are Too Slow Will Die

Josh Safdie discusses the Oscar buzz surrounding his film "Marty Supreme" while reflecting on past controversies and the complexities of directing a diverse cast.

Josh Safdie, noted for his unique approach to filmmaking, is currently in the Oscar race with his latest film "Marty Supreme." He expresses a preference for 'stealing' scenes rather than meticulously directing them, which reflects his artistic style. However, Safdie's rise is overshadowed by a previous controversy that emerged during a past film set, illustrating the challenges that come when balancing creative freedom with public scrutiny.

In the context of the ongoing Berlinale film festival, Safdie's comments resonate deeply as the festival faces unprecedented challenges. The event is struggling with various issues, including political debates surrounding the Middle East and the impact of German cultural policies. These factors have led to significant scrutiny and uncertainty regarding the role of the festival in promoting cinema and artistic expression.

With Tricia Tuttle's future as the festival's director in jeopardy, the conversation shifts from Safdie's individual challenges to the broader implications for the film industry. This situation captures the tense relationship between art, politics, and the survival of major cultural institutions, highlighting how external pressures can disrupt the creative landscape.

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