Confessions resembling the Yin-Yang harmony of 'Taeguk' from Decadence to Awakening to Conversion
The article reflects on the autobiographical significance of Augustine's 'Confessions' and its thematic parallels with the dualities of human experience.
The author discusses their long-standing interest in autobiographies, highlighting how an individual's life is inextricably linked to the historical and social contexts. Autobiographies often give rise to narratives of heroism or tragedy as they navigate personal limits, underscored by elements such as exaggeration and intentional omissions. The piece particularly examines Augustine's 'Confessions,' recognized as a seminal work in Western autobiographical literature, which the author has recently read in a new translation by Professor Hwang Jeong-wook.
Augustine's 'Confessions' is seen as intricately structured, reflecting the dualistic nature of life, likened to the Taeguk symbol, representing both the authorโs tumultuous past and spiritual awakening. The first nine books delve into Augustine's troubled youth, intellectual maturation, and eventual conversion to Christianity, while the last three books transition into theological discourse. The interplay of intellectualism and faith in Augustine's journey is crucial, illustrating how the philosopher reconciled rational thought with emotional turmoil during his conversion process.
Finally, the author highlights Augustine's philosophical influences, particularly Cicero and Plato, showcasing the tension between classical philosophy and the Christian faith that shaped Augustine's path. Despite Cicero's insights guiding Augustine toward wisdom, the absence of clear reference to Christ led him to explore other beliefs, including Manichaeism, reflecting the complex journey of intellectual and spiritual growth, culminating in his eventual acceptance of faith in God.