The article discusses a disastrous performance by a recent winner of the UMK (Uuden Musiikin Kilpailu), Finland's national selection for the Eurovision Song Contest, labeling the situation as a 'complete disaster' and the worst in the competition's history. It provides insights into the context of the event, including a lack of attendance from key members and overall dissatisfaction from critics and fans alike. Furthermore, the piece reflects on the potential crises facing UMK, with commentary from industry experts regarding the selection process and the quality of performances in recent years.

Critics have ranked all past UMK winners from worst to best, emphasizing that some entries have been deemed subpar, with comments such as 'cheap album' circulating in the discussions. The article touches on the public's sentiment towards the competition, noting that the UMK has been at a crossroads and may require significant changes to restore its reputation as a prestigious platform for emerging talent.

Lastly, the article references ongoing speculation about future UMK entries and potential dark horses that could surprise audiences. It highlights the unpredictable nature of live performances and the mixed expectations surrounding Finland's contests, where some artists, despite initial excitement, may falter under pressure. The ongoing interest in UMK reflects not just a love for music but also a concern for the cultural significance of representation at international competitions like the Eurovision.