In a letter published in Dagens Nyheter, singing pedagogue and singer Berit Selin expresses her concerns regarding comedian Jonatan Unge's role as the presenter for the upcoming TV concert in Sweden. Selin argues that a good presenter should have the ability to pause and let the words resonate with the audience, a skill she believes Unge lacks. She emphasizes that many others, who are more suitable for the task, could enhance the experience of the concert, which is an important event in Swedish culture.

The Thirteen Days Concert, which took place at Berwaldhallen and was aired on SVT, was praised for its excellent musical execution featuring a fine orchestra, choral singing, and impressive solo performances. However, Selin points out that Unge's presentation style detracted from the overall quality of the event, suggesting that his comedic approach may not align with the concert's tone. She agrees with choir conductor Anna R's criticism and believes that the choice of a presenter can significantly influence the audience's reception of such cultural events.

The debate touches on broader themes regarding the intersection of comedy and classical performances, challenging the norms of who should present serious cultural events. Selin's letter invites readers to consider the implications of audience engagement and the role of presenters in shaping cultural experiences, ultimately pushing for a reconsideration of who is deemed fit for such important roles in the arts.