The story revolves around the controversial bust of Cecilia Gonzaga, which was taken by authorities from Levoča in May. Initially deemed as a culturally valuable piece by the Minister of Culture, its significance was questioned following an analysis by Italian expert Francesco Caglioti, who labeled it a 'forgery of modest quality'. This shift in narrative altered perceptions of the bust, leading to its cancellation from the planned exhibition despite the museum's preparations.

The Spiš Museum had been ready to display the bust in November and had even sent out invitations, but the exhibition's imminent opening was abruptly halted through a terse email citing 'technical reasons'. However, investigations by Denník N indicate that the true reason for the cancellation was a directive from the Ministry of Culture. This conflict highlights tensions between cultural institutions and governmental oversight, reflecting broader issues of art authentication and national heritage.

Despite this setback, there are plans to reschedule the exhibition for April, indicating ongoing interest in the bust and its cultural significance in Slovakia. The story captures the complex dynamics of art governance in Slovakia, emphasizing how political decisions can impact cultural presentation and engagement with historical artifacts.