The article reviews the film 'Aún es de noche en Caracas,' directed by Mariana Rondón and Marité Ugás, which premiered at the 2025 Venice Film Festival. The film portrays the dire realities of life in Caracas, where power outages ignite fear, armed men roam the streets, and citizens find themselves caught in a chaotic struggle between crime and law enforcement. It indicates a grim truth about the state of the country, where the value of constitutional rights seems insignificant against the backdrop of widespread violence and disillusionment.

The narrative revolves around the character Adelaida, played by Natalia Reyes, who grapples with her mother's death while facing the perilous environment of rampant crime. The movie illustrates the pervasive impact of organized crime in Latin America, contrasting it with other forms of terror found elsewhere, such as alien invasions or zombie pandemics. This perspective invites viewers to reflect on the socio-political issues that have led to the present circumstances in Venezuela, providing a lens into the everyday struggles and fears of its citizens.

Ultimately, 'Aún es de noche en Caracas' serves as an artistic commentary on the deterioration of social order and the human condition within a collapsing society. By bringing attention to the violent realities faced by Venezuelans, the film prompts a broader conversation about governance, social justice, and the rule of law in contemporary Latin America, thereby enhancing our understanding of the region's crises.