The article discusses the absurdities of political initiatives in Spain, highlighting how public officials have proposed measures that border on the ridiculous, such as abolishing loneliness and eliminating bullfighting. This commentary reflects a broader critique of the neoliberal ideology, suggesting that while it lacked compassion, it recognized the oppressive nature of community dynamics. The irony is pointed out that amidst these political theatrics, some politicians are now criticizing the very public performances they previously endorsed, indicating a potential for self-censorship.

Furthermore, the author observes that the debate surrounding cultural expressions such as the burqa being portrayed as religious freedom is convoluted. The author articulates discontent towards politicians who would deem their own cultural critiques as a farce when they themselves are participants in similar spectacles. This implies the absurdity of the political landscape in Spain, where one can easily turn into their own critique, leading to a kind of political theater that is both comedic and tragic.

The article encapsulates a fear that in attempting to regulate or legislate public enjoyment, politicians risk losing their identity and autonomy. As parties like Vox propose referendums to curtail specific cultural performances, the implications strain against the fabric of personal freedoms and the rich tapestry of Spanish cultural life. The discourse on public performances becomes a battleground for ideological warfare, questioning the lines between community standards and individual liberties.